Indeed, K 9!Terrorists, serial killers, and mass murderers can be phenomenologically described as narcissists in a constant state of deficient narcissistic supply. The "grandiosity gap" - the painful and narcissistically injurious gap between their grandiose fantasies and their dreary and humiliating reality - becomes emotionally insupportable. They decompensate and act out. They bring "down to their level" (by destroying it) the object of their pathological envy, the cause of their seething frustration, the symbol of their dull achievements, always incommensurate with their inflated self-image. They seek omnipotence through murder, control (not least self control) through violence, prestige, fame and celebrity by defying figures of authorities, challenging them, and humbling them. Unbeknownst to them, they seek self punishment. They are at heart suicidal. They aim to cast themselves as victims by forcing others to punish them. This is called "projective identification". They attribute evil and corruption to their enemies and foes. These forms of paranoia are called projection and splitting. These are all primitive, infantile, and often persecutory, defence mechanisms. When coupled with narcissism - the inability to empathize, the exploitativeness, the sense of entitlement, the rages, the dehumanization and devaluation of others - this mindset yields abysmal contempt for the narcissist's victims. The overriding emotion of terrorists and serial killers, the amalgam and culmination of their tortured psyche - is deep seated disdain for everything human, the flip side of envy. It is cognitive dissonance gone amok. On the one hand the terrorist, or serial killer derides as "false", "meaningless", "dangerous", and "corrupt" common values, institutions, human intercourse, and society. On the other hand, he devotes his entire life (and often risks it) to the elimination and pulverization of these "insignificant" entities. To justify this apparent contradiction, the mass murderer casts himself as an altruistic savior of a group of people "endangered" by his foes. He is always self-appointed and self-proclaimed, rarely elected. The serial killer and the mass murderer rationalize and intellectualize their murders by purporting to "liberate" or "deliver" the victims from a fate worse than death. The global reach, the secrecy, the impotence, and growing panic of his victims, of the public, and of his pursuers, the damage he wreaks - all serve as external ego functions. The terrorist cut pasted and serial killer regulate their sense of self esteem and self worth by feeding slavishly on the reactions to their heinous deeds. Their cosmic significance is daily sustained by newspaper headlines, ever increasing bounties, admiring copycats, successful acts of blackmail, the strength and size of their opponents, and the devastation of human life and property. Appeasement works only to aggravate their drives and strengthen their appetites by emboldening them and by raising the threshold of excitation and "narcissistic supply". Terrorists and killers are addicted to this drug of being acknowledged and reflected. They derive their sense of existence, parasitically, from the reactions of their (often captive) audience.Erich Fromm suggested that both Hitler and Stalin were narcissistic mass murderers. Hitler and Nazism are often portrayed as an apocalyptic and seismic break with European history. Yet the truth is that they were the culmination and reification of European history in the 19th century. Europe's annals of colonialism have prepared it for the range of phenomena associated with the Nazi regime - from industrial murder to racial theories, from slave labour to the forcible annexation of territory.Germany was a colonial power no different to murderous Belgium or Britain. What set it apart is that it directed its colonial attentions at the heartland of Europe - rather than at Africa or Asia. Both World Wars were colonial wars fought on European soil. Moreover, Nazi Germany innovated by applying prevailing racial theories (usually reserved to non-whites) to the white race itself. It started with the Jews - a non-controversial proposition - but then expanded them to include "east European" whites, such as the Poles and the Russians. Germany was not alone in its malignant nationalism. The far right in France was as pernicious. Nazism - and Fascism - were world ideologies, adopted enthusiastically in places as diverse as Iraq, Egypt, Norway, Latin America, and Britain. At the end of the 1930's, liberal capitalism, communism, and fascism (and its mutations) were locked in mortal battle of ideologies. Hitler's mistake was to delusionally believe in the affinity between capitalism and Nazism - an affinity enhanced, to his mind, by Germany's corporatism and by the existence of a common enemy: global communism.[...]
The Myth of Sisyphus is an extended essay by Albert Camus, published originally in French in 1942 as Le Mythe de Sisyphe, and published in English in 1955. The essay's title comes from a story from Greek mythology. In the essay, Camus discusses the question of suicide and the value of life, using the myth of Sisyphus as a metaphor for life itself. In doing so he introduces the philosophy of the absurd, which holds that our lives are meaningless and have no values other than those we create. Given such a futile world, he asks, what is the alternative to suicide?Sisyphus was a character in Greek mythology who was lauded as one of the cleverest, yet most devious men in history, with a propensity for flouting the traditions of Greek hospitality by murdering his guests. He was eventually condemned after deceiving first Death himself and then Hades, Lord of the Underworld, in order to escape his inevitable demise. As punishment for his audacity, he was sentenced to be blinded and to perpetually roll a giant boulder up a mountain to the peak, only to have it inevitably roll back down the mountain into the valley.Camus develops the idea of the "absurd man", the man who is periodically conscious of the ultimate futility of life. The lingering memory of this realization forms a basis for perception without the unjustified infusion of meaning. This notion directly opposes the idea of faith which is characteristic of most religions (and even of existentialism, which Camus therefore did not fully accept). The search for truth is seen as futile, as modes of perception are constantly changing due to fluctuation of their axioms, which may be manifest as a consistent set of beliefs directly conflicting with those once thought irrefutable. Drawing on numerous philosophical and literary sources, and particularly Dostoevsky, Camus describes the historical development of absurd awareness and concludes that Sisyphus is the ultimate absurd hero.Camus presents Sisyphus's ceaseless and pointless toil as a metaphor for modern lives spent working at futile jobs in factories and offices. "The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious."A major difference between Sartre and Camus is that the latter suggests that some things and situations are out of human control (for example, death), whilst the former believes everything can be changed and manipulated, regardless of the situation or individual.
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