From a religious point of view, many critics, citing Dan Brown's own comments in various media interviews, claim that the book is a deliberate attempt to undermine Christianity in favour of a feminist/pagan agenda, and decry the many negative implications about the Roman Catholic Church and Opus Dei.
As early as August 1912, Jung had intimated a letter to Freud that he had an intuition that the essentially feminine-tones archaic wisdom of the Gnostics, symbolically called Sophia, was destined to re-enter modern Western culture by way of depth psychology. This takes us to the Gnostic text the Pistis Sophia. Pistis Sophia is an important Gnostic text. The five remaining copies, which scholars date c. 250-300 AD, relate the Gnostic teachings of the transfigured Jesus to the assembled disciples (including his mother Mary, Mary Magdalene, and Martha), when the risen Christ had accomplished 11 years speaking with his disciples. In it the complex structures and hierarchies of heaven familiar in Gnostic teachings are revealed. The female divinity of gnosticism is Sophia, a being with many aspects and names. She is sometimes identified with the Holy Ghost itself but, according to her various capacities, is also the Universal Mother, the Mother of the Living or Resplendent Mother, the Power on High, She-of-the-left-hand (as opposed to Christ, understood as her husband and he of the Right Hand), as the Luxurious One, the Womb, the Virgin, the Wife of the Male, the Revealer of Perfect Mysteries, the Saint Columba of the Spirit, the Heavenly Mother, the Wandering One, or Elena (that is, Selene, the Moon). She was envisaged as the Psyche of the world and the female aspect of Logos.
The title Pistis Sophia is obscure, and is sometimes translated Faith wisdom or Wisdom in faith or Faith in wisdom. A more accurate translation taking into account its gnostic context, is the faith of Sophia, as Sophia to the gnostics was a divine syzygy of Christ, rather than simply a word meaning wisdom. In an earlier, simpler version of a Sophia, in the Berlin Codex and also found in a papyrus at Nag Hammadi, the transfigured Christ explains Pistis in a rather obscure manner:
Again, his disciples said: Tell us clearly how they came down from the invisibilities, from the immortal to the world that dies? The perfect Saviour said, "Son of Man consented with Sophia, his consort, and revealed a great androgynous light. Its male name is designated 'Saviour, begetter of all things'. Its female name is designated 'All-begettress Sophia'. Some call her 'Pistis'."
The best-known of the 5 manuscripts of Pistis Sophia is bound with another Gnostic text titled on the binding "Piste Sophiea Cotice". This "Askew Codex" was purchased by the British Museum in 1795 from a Dr. Anthony Askew. Until the discovery of the Nag Hammadi library in 1945, the Askew Codex was 1 of 3 codices that contained almost all of the gnostic writings that had survived the suppression of such literature both in East and West, the other 2 codices being the Bruce Codex and the Berlin Codex. Aside from these sources, everything written about Gnosticism before World War II is based on quotes, references and inferences in the Patristic writings of the enemies of Gnosticism, a less-than-neutral source, where Gnostic beliefs were selected to present their absurdities, bizarre and unethical behavior, and heresy from the orthodox Pauline Christian standpoint. The text proclaims that Jesus remained on earth after the resurrection for 11 years, and was able in this time to teach his disciples up to the first (i.e. beginner) level of the mystery. It starts with an allegory paralleling the death and resurrection of Jesus, and describing the descent and ascent of the soul. After that it proceeds to describe important figures within the gnostic cosmology, and then finally lists 32 carnal desires to overcome before salvation is possible, overcoming all 32 constituting salvation. Pistis Sophia includes quotes from five of the Odes of Solomon, found in chapters between 58 and 71. Pistis Sophia was the only known source for the actual wording of any of the Odes until the discovery of a nearly-complete Syriac text of the Odes in 1909. Because the first part of this text is missing, Pistis Sophia is still the only source for Ode 1.
It is clear that Jung was seeing and defining what we call the Return of (to) the Feminine Energies or higher frequency of thought consciousness. Jung also channeled feminine archetypes including Salome.
Jung believed anima development has four distinct levels, which he named Eve, Helen, Mary, and Sophia. In broad terms, the entire process of anima development in a male is about the male subject opening up to emotionality, and in that way a broader spirituality by creating a new conscious paradigm that includes intuitive processes, creativity and imagination, and psychic sensitivity towards himself and others where it might not have existed previously.
EveThe first is Eve, named for the Genesis account of Adam and Eve. It deals with the emergence of a male's object of desire, yet simultaneously generalizes all females as evil and powerless.
HelenThe second is Helen, in allusion to Helen of Troy in Greek mythology. In this phase, women are viewed as capable of worldly success and of being self-reliant, intelligent and insightful, even if not altogether virtuous. This second phase is meant to show a strong schism in external talents (cultivated business and conventional skills) with lacking internal qualities (inability for virtue, lacking faith or imagination).
MaryThe third phase is Mary, named for the Christian theological understanding of the Virgin Mary (Jesus' mother). At this level, females can now seem to possess virtue by the perceiving male (even if in an esoteric and dogmatic way), in so much as certain activities deemed consciously unvirtuous cannot be applied to her. As per Ken Wilber's terminology, this third phase seems to represent Up spirituality while the second phase represents Down spirituality.
SophiaThe fourth and final phase of anima development is Sophia, named for the Greek word for wisdom. Complete integration has now occurred, which allows females to be seen and related to as particular individuals who possess both positive and negative qualities. The most important aspect of this final level is that, as the personification "Wisdom" suggests, the anima is now developed enough that no single object can fully and permanently contain the images to which it is related.
Levels of animus developmentAs a male, Jung emphasized more on the male's anima and wrote less about the female's animus. Jung believed that every woman has an analogous animus within her psyche, this being a set of unconscious masculine attributes and potentials. He viewed the animus as being more complex than the anima, postulating that women have a host of animus images while the male anima consists only of one dominant image. Jung stated that there are four parallel levels of Animus development in a female, which can be personified into: the athlete, the planner, the professor, and the guide.
The athleteAlso referred to as the thug or the muscleman, Jung described it as the embodiment of physical power.
The plannerThis stage embodies the capacity for independence, planned action, and initiative.
The professorAlso referred to as the cleric, it embodies "the Word."
The guideLike "Sophia," this is highest level of mediation between the unconscious and conscious mind.
Anima and animus comparedThe four roles are not identical with genders reversed. Jung believed that while the anima tended to appear as a single female, the animus usually consisted of multiple male personalities. The process of Animus development deals with cultivating an independent and non-socially subjugated idea of self by embodying a deeper Word (as per a specific existential outlook) and manifesting this word. To clarify, this does not mean that a female subject becomes more set in her ways (as this Word is steeped in emotionality, subjectivity, and a dynamicism just as a well developed Anima is) but that she is more internally aware of what she believes and feels, and is more capable of expressing these beliefs and feelings. Both final stages of Animus and Anima development have dynamic qualities (related to the motion and flux of this continual developmental process), open ended qualities (there is no static perfected ideal or manifestation of the quality in question), and pluralistic qualities (which transcend the need for a singular image, as any subject or object can contain multiple archetypes or even seemingly antithetical roles).
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