Actually 0.999... (infinitely repeating) is equal to 1. If you don't think so, then find another number that's in between 0.999... and 1. There aren't any.
Quote from: L i n d a on January 18, 2008, 05:05:50 PMWell, I don't think it's a big deal, 0.9999999999999... is pretty much 1, it's not exactly 1, but it is still very very close to...
Quote from: carmen on February 26, 2011, 09:34:18 PMQuote from: glype on August 21, 2010, 02:28:49 PMGenius and creativity are not reserved for the few or the remarkable. Some are not born exceptional, all are. Birds of flight all have wings, cats of prey all have claws...why would the Creator play Advantage-Disadvantage roulette with Co-Creators? Genius is not measured by ability to recall or recant knowledge, but by how far creativity ranges and stretches knowledge, or by shade and degree of variance from principle. A degree of creative variance can result in significant differences. For instance, but for one or two evolutionary degrees, chimpanzees would be human. How creative are chimpanzees? They can recall knowledge in human-like fashion but cannot communicate...dream...laugh.. .or use thumbs like humans. Often is it stated or lamented that each utilizes but 20% of mind's potential. Perhaps the missing 80 is stored elsewhere. Why not in soul? Afterall, that's the 100% of each that exceeds death.I understand the point you are trying to make when mentioning the chimps, but don't you think you should have phrased the idea in a rather different way? (it has the potential to mislead the reader in an "unpleasant" way).I concur
Quote from: glype on August 21, 2010, 02:28:49 PMGenius and creativity are not reserved for the few or the remarkable. Some are not born exceptional, all are. Birds of flight all have wings, cats of prey all have claws...why would the Creator play Advantage-Disadvantage roulette with Co-Creators? Genius is not measured by ability to recall or recant knowledge, but by how far creativity ranges and stretches knowledge, or by shade and degree of variance from principle. A degree of creative variance can result in significant differences. For instance, but for one or two evolutionary degrees, chimpanzees would be human. How creative are chimpanzees? They can recall knowledge in human-like fashion but cannot communicate...dream...laugh.. .or use thumbs like humans. Often is it stated or lamented that each utilizes but 20% of mind's potential. Perhaps the missing 80 is stored elsewhere. Why not in soul? Afterall, that's the 100% of each that exceeds death.I understand the point you are trying to make when mentioning the chimps, but don't you think you should have phrased the idea in a rather different way? (it has the potential to mislead the reader in an "unpleasant" way).
Genius and creativity are not reserved for the few or the remarkable. Some are not born exceptional, all are. Birds of flight all have wings, cats of prey all have claws...why would the Creator play Advantage-Disadvantage roulette with Co-Creators? Genius is not measured by ability to recall or recant knowledge, but by how far creativity ranges and stretches knowledge, or by shade and degree of variance from principle. A degree of creative variance can result in significant differences. For instance, but for one or two evolutionary degrees, chimpanzees would be human. How creative are chimpanzees? They can recall knowledge in human-like fashion but cannot communicate...dream...laugh.. .or use thumbs like humans. Often is it stated or lamented that each utilizes but 20% of mind's potential. Perhaps the missing 80 is stored elsewhere. Why not in soul? Afterall, that's the 100% of each that exceeds death.
I do not know in what sense you're saying this, but I take it as too much fuss on the part of legal scholars to formulate "theories" and the like, when in actuality things are settled in practice much easier. There is actually a book called "Wisdom of Crowds," exploring the apparent anomaly that crowds of non-experts seem to be collectively smarter than individual experts or even small groups of experts. This basic insight is at the heart of contemporary financial investment theory, with its emphasis on the difficulty of outguessing the market. Beginning with British scientist Francis Galton's remarkable discovery in 1906 that a crowd of non-experts proved surprisingly competent at guessing the weight of an ox, financial columnist and author James Surowiecki skillfully recounts experiments, discoveries and anecdotes that demonstrate productive group thinking. The concept does not come as news to anyone reasonably well read in modern financial literature.
Quote from: kehre on October 28, 2008, 06:06:40 PMWhy is "the real thing" so important to people? Objects are valued not only for their appearance, but also for their tremendous symbolic power. Any object can have symbolic and visual power. However, only "the real thing" contains the evidence to support its symbolic and visual importance. Evidential, artifactual, value is dependent on the material composition of the object. Reconciling the symbolic, visual, artifactual and evidential value of "the real thing" requires the convergence of stylistic, historical and scientific analysis. Such expertise is often provided by the collaboration of many experts found in museums like the Smithsonian. What do people really see when they look at an object on exhibit, in a book or on-line? What they actually see is a virtual reality, based on the appearance of the real thing. The appearances of objects have tremendous power to alter the course of history and human lives. But mere superficial appearances can be misleading.Consider, for instance, something as simple as a manuscript. In fact, consider 3 famous manuscripts: "Howard Hughes' Autobiography," "Hitler's Diary," and the Mormon Church's "Salamander Letter." What do these documents have in common? Each had the power to greatly influence issues of legal, historical or religious significance. Each had this power, if, that is, they were "the real thing". But as it turned out, each was actually proven to be fake. The truth however exacted a costly toll, including the loss of human lives. One of history's most extreme cases of forged documents threatened to undermine one of the world's most powerful religions. The case of the "Freeman's Oath" and the "Salamander letter", resulted in the actual loss of life. In the mid-80's, a Utah dealer, Mark Hofmann, presented the Mormon Church with a series of documents, which if real would have greatly embarrassed the Church. As suspicion grew about the authenticity of the documents offered by Hofmann, he began to feel cornered. To protect himself, and provide a diversion, he resorted to murder, engineering the death of 3 people by blowing them up with home-made bombs. He eventually injured himself while transporting new bombs. When arrested, he ultimately confessed that he faked the documents; to make them appear authentic, he used historic paper and ink recipes. He claimed that he even artificially aged the documents by oxidizing them with hydrogen peroxide. This is what lead to his downfall and arrest in the first place. His creations had become suspect when examination, under high powered magnification (such as a stereomicroscope), revealed that the ink's medium of gum arabic was cracking in a strange manner, totally inconsistent with what would happen during "natural" aging.Here it is a twisted case of this type in this movieThe Ninth Gate (1999) is a neo-noir, mystery thriller about the rare book business, wherein rare-book dealer Dean Corso (Johnny Depp) is hired by bibliophile Boris Balkan (Frank Langella) to validate a 17th-century copy of The Nine Gates of the Kingdom of Shadows, by Aristide Torchia, and what he encounters en route.
Why is "the real thing" so important to people? Objects are valued not only for their appearance, but also for their tremendous symbolic power. Any object can have symbolic and visual power. However, only "the real thing" contains the evidence to support its symbolic and visual importance. Evidential, artifactual, value is dependent on the material composition of the object. Reconciling the symbolic, visual, artifactual and evidential value of "the real thing" requires the convergence of stylistic, historical and scientific analysis. Such expertise is often provided by the collaboration of many experts found in museums like the Smithsonian. What do people really see when they look at an object on exhibit, in a book or on-line? What they actually see is a virtual reality, based on the appearance of the real thing. The appearances of objects have tremendous power to alter the course of history and human lives. But mere superficial appearances can be misleading.Consider, for instance, something as simple as a manuscript. In fact, consider 3 famous manuscripts: "Howard Hughes' Autobiography," "Hitler's Diary," and the Mormon Church's "Salamander Letter." What do these documents have in common? Each had the power to greatly influence issues of legal, historical or religious significance. Each had this power, if, that is, they were "the real thing". But as it turned out, each was actually proven to be fake. The truth however exacted a costly toll, including the loss of human lives. One of history's most extreme cases of forged documents threatened to undermine one of the world's most powerful religions. The case of the "Freeman's Oath" and the "Salamander letter", resulted in the actual loss of life. In the mid-80's, a Utah dealer, Mark Hofmann, presented the Mormon Church with a series of documents, which if real would have greatly embarrassed the Church. As suspicion grew about the authenticity of the documents offered by Hofmann, he began to feel cornered. To protect himself, and provide a diversion, he resorted to murder, engineering the death of 3 people by blowing them up with home-made bombs. He eventually injured himself while transporting new bombs. When arrested, he ultimately confessed that he faked the documents; to make them appear authentic, he used historic paper and ink recipes. He claimed that he even artificially aged the documents by oxidizing them with hydrogen peroxide. This is what lead to his downfall and arrest in the first place. His creations had become suspect when examination, under high powered magnification (such as a stereomicroscope), revealed that the ink's medium of gum arabic was cracking in a strange manner, totally inconsistent with what would happen during "natural" aging.
Give voice to the creative individual within, and contribute as born and meant.Quote Our deepest fear is not that we are inadequate.Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us.We ask ourselves,"Who am I to be brilliant, gorgeous, talented, and fabulous?"Actually, who are you not to be? You are a child of God. Your playing small doesn't serve the world.There's nothing enlightened about shrinking so that other people won't feel insecure around you. Originally from, "Our Deepest Fear," A Return to Love, by Marianne Williamson.
Our deepest fear is not that we are inadequate.Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us.We ask ourselves,"Who am I to be brilliant, gorgeous, talented, and fabulous?"Actually, who are you not to be? You are a child of God. Your playing small doesn't serve the world.There's nothing enlightened about shrinking so that other people won't feel insecure around you.
[...]I hope you have heard of unicorns. One could believe that unicorns are actual biological phenomena -- that unicorns are real in the same way horses are real. Or one could believe that unicorns are creations of the human mind, imaginary creatures whose characteristics are therefore wholly a product of our assumptions about those same characteristics. Now imagine a social practice that requires persons to act as if they sincerely believe there actually are independent facts of the matter regarding unicorns -- facts not dependent on human beliefs -- and indeed routinely requires these people to assert the existence of such facts. Yet suppose this practice also requires that on certain occasions those who engage in the practice claim no such independent facts concerning the status of unicorns exist because, after all, "everyone knows" unicorns are merely products of the human mind. We could anticipate that many of the participants in this practice will develop a sort of double consciousness about unicorns, one in which they will both affirm and deny -- and in which they will in a sense both believe and not believe -- that unicorns are actual or imaginary creatures, depending on the context in which such affirmation or denial, and belief or absence of belief, is deemed appropriate. [...]Such is the ordinary mental condition of the modern American lawyer. The modern lawyer, and especially the modern judge and law professor, must continually practice a sort of "as if" jurisprudence, within the context of which the lawyer both knows and doesn't know that most important legal facts are facts only to the extent we believe them to be legal facts. Various strategies are then employed to deal with the intense cognitive dissonance that characterizes this condition. A common one among practicing lawyers is to simply ignore the dissonance -- to treat it as someone else's problem. That someone is, of course, whatever decision maker is precluded from employing the same cognitive strategy by virtue of the decision maker's decisional responsibilites. [...]
Nothing funny, for sure! Although it can be argued that the writer is aware of the "simplicity" of the comparison (so to speak) and s/he is kinda mocking the reader when talking about the "creativity of the chimps," I tend to think that it is sort of an exaggeration to say that genius equals the "degree of variance from principle."Quote from: glype on August 21, 2010, 02:38:22 PMGive voice to the creative individual within, and contribute as born and meant.Quote Our deepest fear is not that we are inadequate.Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us.We ask ourselves,"Who am I to be brilliant, gorgeous, talented, and fabulous?"Actually, who are you not to be? You are a child of God. Your playing small doesn't serve the world.There's nothing enlightened about shrinking so that other people won't feel insecure around you. Originally from, "Our Deepest Fear," A Return to Love, by Marianne Williamson.I mean it doesn't have to be that one is necessarily a genius (political genius if you like) just because you think differently from the rest of the population and you may want to make some kind of "revolution." Assuming the writer is trying to establish the power of individuality over the majority, there is nothing *genius* about it - it has been said so many times that power is derived from the consent of the governed, "Government derives power only from the consent of the governed" The Declaration of Independence has it that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed. Whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. When a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.To me it looks like it's more of a "balls" issue, rather than a "genius" thing.